Showing posts with label punk. Show all posts
Showing posts with label punk. Show all posts

Friday, October 30, 2009

The MASTERS APPRENTICES- Buried and Dead/She's My Girl

Hopefully, now my technical problems are over (I've purchasing a new stylus and moved from yahoo media player to divshare), this blog can get going and I can share some of the really great records I've scored in the last couple of months.
First up is an absolute monster of a 7" that I've adored since first hearing at least 15 years ago on a glorious bootleg compilation named 'Twisted Psychotic Teenage Fuzz-Busters' which was also my first introduction to the likes of Q65, the Monks and The Masters Apprentices other drop dead, sixties punk masterpiece; 'Undecided'.
I'm not sure exactly how rare/expensive 'Buried and Dead' is, but it took me a lot of looking around to find a copy until I got this slightly battered (though great playing) copy from the last Camberwell Record Fair here in Melbourne. As you can see from the photo the middle is popped, obscuring the song title, which is possibly why I got it for less than the cost of my tram fare.
'Buried and Dead' was Adelaide band, the Masters Apprentices second single, and to my ears is pretty unique sounding thing: huge guitar riff, massive drums, snarling, grunting punk/r'n'b vocal, with a nice 1967 sound effect and kinda raga section which don't detract from the rawness and aggression of the recording and performance. I guess if it was an English record you might call it 'freakbeat' but perhaps it owes more to the slightly earlier proto metal of 'You Really Got Me' era Kinks or the Easybeats' 'Sorry' and parallels the sort of records The Unrelated Segments were blasting out of Detroit at the same time.
The B-side is a great song in it's own right, if not up to the dizzying coolness of the top side, 'She's My Girl' is a kind of mid paced early Stones/Pretty Things bluesy number with another brilliant vocal from Jim Keays who snarls and slobbers over the top, telling us how he's not worthy of his girls attentions.
The Masters Apprentices went on to become one of the biggest bands in Australia right up to the early 70s, and made lots of great records, but for me 'Buried and Dead' and 'Undecided' (anyone got a spare?) will always remain their finest waxings.
THE MASTERS APPRENTICES- Buried and Dead
THE MASTER'S APPRENTICES- She's My Girl
And here is an amazing, and appropriately Halloweeny, promo film the band made for 'Buried and Dead':

Sunday, August 30, 2009

The LOVED ONES- More Than Love

I was completely unaware of The Loved Ones until I picked up this 7" (in Revolve, a great little Sydney shop), but they now stand as one of my favourite Oz groups. The Loved Ones have a quite distinct sound, apparently their unusual time signature and chord choices were influenced by their origins as a trad jazz band! Singer Gerry Humphries as a superb intense voice a little like Eric Burdon but with more of an American garage snarl. More Than Love is the flip side of the slightly more poppy (though still pretty weird) Ever Lovin' Man.
The LOVED ONES- More Than Love
The Loved Ones released a string of equally strong singles and one album, and are to this day legendary in the annals of Australian rock history (INXS covered The Loved One to great success). There is CD collection of these singles available here and below is some atmospheric footage of the The Loved Ones miming to The Loved One.